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Writer's pictureByron O'Neal

PARADISO, VOL. 1


Writer: Ram V Art: Devmalya Pramanik

Publisher: Image Comics


Paradiso, Vol. 1, cover, Image, Ram V/Pramanik

WHAT IS IT?

An apocalyptic/post-apocalyptic tale of the remnants of humanity and the only city still capable of sheltering humanity. But the city may have a mind of its own...

Imagine the civilization in Blade Runner collapsed, leaving only a Mad Max/Maze Runner hybrid in its place. It also feels a lot like Westworld in its scope, mystery and contrast of barren wasteland with technological wonder.

WHAT'S IT ABOUT?

(Minor Spoilers)

A man, Jack Kryznan, is looking to enter the city of Paradiso. A city where the streets don’t always lead you to the same place each time you take them. A city that seems to be able to think and act on its own. Jack has a past. One that he doesn’t remember. One that put a technological wonder into his hands. And one that may give him a special relationship to Paradiso...or at least the AI that lies nearly dormant in the city’s dark corners. As gangs and factions seek to use him for his ability to breathe new life into once dead technology, others just want to enter Paradiso for their own reasons. Maybe they’re in search of something. Maybe they’re wondering what happened to this once great metropolis. Or maybe they’re just wondering where all of the citizens inside the city and its surrounding areas went. To get those answers, however, they’ll have to survive the others looking to enter the city, as well as the aging, once-deadly guardians, and perhaps even Paradiso herself.

And those are just the immediate dangers.

WHAT WORKS?

  • Ram V's "Big Picture" storytelling is remarkable

  • His ability to build worlds and weave epic adventures is exceptional, but he's also able to think small and focus on building tension and suspense in scenes with only a couple characters

  • Dev Pramanik's intensely detailed line art is awe-inspiring, and the colors from Dearbhla Kelly and Alex Sollazzo will leave you spellbound

  • ​It feels like every other page turn, there's a breathtaking landscape scene or a brilliant perspective shot -- every page is a delight

  • Pramanik, Sollazzo & Kelly beautifully capture the chaotic, shifting aspects of the city, which has to be difficult for a medium like comic books

  • Aditya Bidikar's creative and innovative lettering skills are reminiscent of Todd Klein and positively shine in Paradiso

  • Making the "Cloud" hyper-technological and having it ruin everything is not only cool as hell, but it also feels like something that could totally happen

  • ​Also, having little pockets of sentient fog is such a fascinating and eerie

  • Everything, from the parts of the city to the people within, serves a function in Paradiso

  • ​It's like an organism, and Ram V goes to lengths to ensure we see how much this city is brought to life with these moving parts

  • Representation of people from different races and cultures is fantastic and surprisingly uncommon for the genre

  • There's a particularly menacing villain that we've only seen a little bit of, but he looks super cool and super terrifying

WHAT DOESN'T WORK?

  • Story-wise, I'm not sure I understand what's going on entirely by the end of the first volume

  • This could be intentional on Ram V's part

  • It was challenging for me to tell the different groups or factions or sides apart, but you may not have that same problem

  • There were a couple times where I wasn't sure exactly what was going on in the panels, like there was too much action in too small a panel, but the team could've been going for a "fog of war" or intentionally confusing perspective for those panels


Paradiso, Vol. 1, Image, Ram V/Pramanik

WHY SHOULD I READ IT?

It's a sprawling, epic, post-apocalyptic tale with as many twists and turns as Paradiso itself. If you're a fan of the post-apocalyptic genre or fiction with a focus on technology and mystery, this is the book for you. Plus, have I mentioned how gorgeous the art is?

WHAT DO I READ NEXT?

If you like the writing:

  • These Savage Shores by Ram V & Sumit Kumar

  • Isola by Karl Kerschl & Brenden Fletcher

  • Arcadia by Alex Paknadel & Eric Scott Pfeiffer

If you like the art:

  • Black Mumba by Ram V & Devmalya Pramanik

  • East of West by Jonathan Hickman & Nick Dragotta

  • Tokyo Ghost by Rick Remender & Sean Murphy

ABOUT THE CREATORS

Ram V – Writer

  • Moniker: His real name is Ram Venkatesan

  • Outlander: Originally from Mumbai, India, he now lives in London

  • Is part of a group of London comic book writers and artists called the White Noise Collective

Devmalya Pramanik – Illustrator

  • Dream Team: Also worked with Ram V on Black Mumba

  • Outlander: Hails from India

  • His illustrations tend to be highly detailed (see the above image for an example)

Dearbhla Kelly – Colorist

  • Multitalented: Also does graphic design, illustration, motion graphics, branding, editorial & commercial work

  • Would love to color a New Mutants comic

Alex Sollazzo – Colorist

  • Seems like he left the Paradiso title after the first issue

  • Outlander: Lives in Australia

Aditya Bidikar – Letterer

  • Multitalented: Co-hosts a comics podcast with fellow letterer Hassan Otsmane-Elhaou, called Letters & Lines

  • Dream Team: Also worked with Ram V on Black Mumba & These Savage Shores

  • Sometimes hosts a #LettererJam event on Twitter where letters all show their different approaches to a single page of comic book art

Lizzie Kaye – Editor

  • Multitalented: Also does editing for Unbound, and writes pieces of her own

  • Outlander: Lives in London

HOW DO I BUY IT?

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The image(s) used in this article are from a comic strip, webcomic or the cover or interior of a comic book. The copyright for this image(s) is likely owned by either the publisher of the comic, the writer(s) and/or artist(s) who produced the comic. It is believed that the use of this image(s) qualifies as fair use under the United States copyright law. The image is used in a limited fashion in an educational manner in order to illustrate the points of the author and not for the purpose of entertainment or substituting the original work. It is believed the use of this image has had no impact on the market value of the original work.

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